Back in ’09, when the OSR and blogging were yet kinda young, I played in a Swords and Wizardry game that Michael aka chgowiz ran at Gen Con to showcase old-school play for a bunch of folks who were mostly recent-edition gamers: Phil (The Chatty DM, no longer a stranger to S&W), Dave and Danny of Critical Hits, and Greg who was neither yet working at the Escapist nor one of my co-authors on Adventurer Conqueror King (although we had worked together on Goodman’s Forgotten Heroes books, and one of the seeds of ACKS was a conversation we had later in the con about how the 4E idea of tiers of play relates to old-school campaigns). Although even the current holder of the D&D name is no longer all that shiny and new these days, I thought that Mule readers might be interested in the reflection on the experience I wrote in an email to these guys afterward:
I’m pleased to be able to say that my 100 percent old-school player death rate is intact, and that it was very satisfying to die with all my pockets, sacks, and backpacks stuffed with treasure!
Given the unique (to put it mildly) characterizations and hilarious & inventive improv skills on display all around the table, I don’t doubt for a second that I would have had a great time with whatever game we played, or none at all. I do think, though, that the stark & elegant simplicity of the OD&D system makes it especially easy to both give in to every wacky impulse and opportunity for a cheap urine gag and also still get in adventuring, exploration, and pulp drama. The 4E group I play with has lots of laughs & also likes to kick ass, but the process of having to add up your initiative bonus, choose powers, etc., etc. makes it harder for me to switch between the two modes.
I think that the lethality and hilarity of OD&D go hand in hand, which is why Leiber is for me the truest inspiration – the situation comedy of Fafhrd as Issek of the Jug is the bright obverse of the doomed pulp grimness of Thieves’ House. For me, the original rules do this best both by letting you switch from one face to the other more quickly, and also by reinforcing the feeling that luck and wits may stave off Death for a little while, but quickly rolling up a new contender is part of the essence of the game.
I am interested to see that this idea perfectly prepared me to be blown away by Swords without Master‘s emulation of pulp adventure via a dice mechanic devoted entirely to whether you narrate things in a glum or jovial way; when Eppy broke Conan’s melancholy and mirth down this way and quoted Leiber from memory at the start of that session to back up his thesis, I’d entirely forgotten having once reached a similar conclusion via that source myself.