Folks who have been following the LotFP Grand Adventure crowdfunding campaign closely will have noticed that, at one point, the Mule’s own Charlatan and I were slated to do one of the 19 adventures it will be funding, with illustrations by Ryan Browning. This post is to explain why I withdrew our project with the greatest regrets. In tomorrow’s post I’ll suggest some reasons why everyone who cares about the stuff we care about should indeed be following the Grand Adventure campaign closely.
The way that this all got started is that, back in March, James Raggi posted on G+:
My brain is exploding. ToC’s Bookhounds of London + ACKS mercantile system + XRP’s Silk Road detail + Warhammer’s Death on the Reik = Something, yes?
Like a mad scientist, Raggi seems to be perpetually fizzing over with the ferment of mash-ups like this. Note that he is unafraid to throw volatile elements in the mix. Expeditious Retreat Press (XRP)’s A Magical Medieval Society: Silk Road, although eminently useful for all fantasy and historical gaming, is a d20 supplement from the era when 3E was “The Edition That Shall Not Be Named” among the dfootians. And Trail of Cthulu (ToC) is a big favorite of the story-gamers I know in the nerdNYC community. But of course James scoffs at the idea that the OSR should be a firewall that protects us from contamination by TESTSNBN or Forge swine; he takes things that are awesome as he finds ’em. His getting Bookhounds of London author Ken Hite to do a LotFP adventure is a supremely awesome achievement that, for me, is one of the fruits of the OSR having won and a demonstration of what you can make happen with an insanely ambitious crowdfunding campaign.
So when I emailed Raggi with a vague affirmation of his G+ post – “yeah let’s make that mash-up happen!” – he came back with both a crazy way to achieve that, involving nineteen simulaneous IndieGoGo campaigns, and a tasty proposal for what it should look like:
You do a supplement updating the economics stuff from ACKS into the Early Modern Age – taking into account regular sea lane shipping, trading companies and the monopolies they secure (and the piracy they attract), the great risk/reward of exploration, colonies, realms that are ruled by parliaments or noble lineage but the age of small-time conquest/rulership is over, etc.
He gave me the go-ahead to add Charlatan as a collaborator, since I would never venture into the sea-lanes without his Saltbox expertise, and Ryan as artist because he can draw the inside of my mind better than I can see it. We started talking it over, and all manner of ideas started to flow. Some of the concrete results were the title “Register of the Deeps” and a concept for the cover:
Unfortunately, in the middle of this creative ferment, a development in my personal life arose that forced me to re-evaluate my ability to deliver “Register of the Deeps” by the deadline I’d agreed to. It’s nothing worthy of a Lifetime special, or even an after-school one. It won’t mean my departure from gaming, or even prevent me from working with Charlatan and Ryan to finish Register and release it via a different route at some future date, but it did make me feel I couldn’t promise to have it in time for the LotFP campaign backers with the right degree of certainty.
Lots of people are saying that crowd-funding is changing the face of the gaming industry for the better. If you’ll be at Gen Con on Friday at 3pm, you’ll see me among ’em. The key ingredient here is trust. When people back a project, they’re expressing their faith that it will come to pass. For the Kickstarter miracle to work, this faith has to be well-placed. I thought it better to withdraw from the LotFP adventures campaign than to run the risk of breaking faith with people who’d put up money expecting to have “Register of the Deeps” when I said they would.
Kickstarter may be a new thing under the sun, but gaming history offers plenty of tragic examples of what can go wrong with taking money now for a product later, whether via pre-orders (the Wormy compilation, Sinister Adventures) or a subscription model (Adventure Games Publications). To his great credit, James Raggi was totally understanding about my situation & the reasoning behind my (difficult) decision. He made good on his promise to find replacements who were bigger stars than the originally booked talent, and seeing the quality of the people who are filling the void makes me feel a little better. Nevertheless I’ll always regret having gotten folks, especially Charlatan and Ryan, excited and then yanking the football; also having come this close to saying I shared a stage with the lead singer from GWAR, metaphorically at least.
Next to come: why the LotFP Grand Adventure crowd-funding campaign matters.