Archive for the 'Adventurer Conqueror King' Category


Dungeon! and the Invention of Old-School Play

In Eric’s original post about the original Dungeon! boardgame, he writes “It’s amazing how well the gameplay lines up with the OSR playstyle.” I’m going to go out on a limb and argue that this is because Dungeon! is where the original assumptions of play were first codified.

Level 6 of Dave Megarry’s original prototype for the Dungeon! boardgame

In my first post about Dungeon!, I talked about how the Blackmoor session in which referee Dave Arneson introduced roleplaying’s first dungeon inspired player Dave Megarry to create a boardgame which would systematize the idea of the dungeon as flowchart.

At Gary Con IV, Megarry said that he created the prototype of the Dungeon! boardgame shown at right over the course of about 72 hours in October of 1973. Most of this time was spent working out the right ratio of monster difficulty to treasure payoff.

The Dungeon! board is grouped into six levels, with stairs indicating a change between levels. Each level has its own set of monster and treasure cards. On the sixth level, you may loot the the King’s riches, but fantastic wealth is guarded by equally potent monsters.

Working out the appropriate ratio of risk to reward by level was clearly a priority for Megarry. Given that the law & economics of reward incentives is a major focus for Adventurer Conqueror King, causing me to put a ridiculous amount of effort into determining how much treasure different kinds of monsters should have, I feel a great debt to the first person to come to grips with these issues.

Playing Dungeon! feels like old-school dungeon crawling because you’re weighing the same risk-reward decisions. For my first character, I played an elf whose ability to move through secret doors would let me quickly zip down to the sixth level, where I hoped to score some game-winning phat loot. Unfortunately I soon found that I needed some magical help to take on the guardians on that level, and was on my way to find some on a more shallow level when I died. For my second character, I wanted to choose a more conservative approach but all the easily-reached low level treasures had been snarfed up by other starting characters, so I couldn’t engage in what players of roguelike games (another branch of Dungeon!’s heritage) call scumming and instead had to dive a little deeper than I might have liked. This kind of thinking was totally natural from playing in the Glantri campaign and elsewhere; it’s one of many ways that Dungeon! crystallizes the experience I know from old-school D&D into a fast-acting nugget of crack.

In my next post I’ll talk about another old-school mechanic whose genome I think can be seen in Dungeon! – requiring variable amounts of XP for different classes to advance.

EDIT: As shown in the letter below, Gygax and others added a number of monsters and treasures to each level of the boardgame when it was published by TSR. Doing so would have given him some hands-on experience achieving monster/treasure ratios by level as well. Letters I didn’t take photos of might confirm that this development process began before D&D went to press, in the period when Gygax was shopping the game to Guidon and other publishers.

Letter from Gary Gygax to Dave Megarry, dated April 18, 1975


To Hell with ACKS, Let’s Play Scout Destroyer Unfathomable

Over at the Autarch forums there’s been some discussion of taking the Adventurer Conqueror King System past its current 14th level cap. There are many subtle design and setting-economy challenges involved, which pale before the question so what  comes after King then, huh, smart guy?Fortunately I have a ten year old supply of child labor around the house, which can be usefully put to work on thorny issues like these. As it happens, Javi already solved this one over a year ago. Hearing me talk about names for this thing I was working on, he was like “yeah that’s a pretty good system but it doesn’t go far enough.” Here are the expanded titles he rattled off :

  • -1: Egg
  • 0: Chip
  • 1: Scout
  • 2-3: Wanderer
  • 4: Adventurer
  • 5: Leader
  • 6: Commander
  • 7: Overtaker
  • 8-10: Conqueror
  • 11 – King
  • 12-13: Overlord
  • 14: Destroyer
  • 15: Legend
  • 16: Legend-King
  • 17: God
  • 18-21: Alpha God
  • 22: Controller
  • 23-24: Unfathomable

The first two things written here are eggs and chips, but I think that’s because I recorded this on the leftover Gary Con event ticket I was using for a grocery list.  I can see Eggs as a level title for a zero level character, but leveling up to Chips is harder to explain.


added my guess at their ACKS equivalents, and Egg and Chip 


Memorizing Spells with Assistance

'Conjure Maitz', 30" x 30", Oil on Masonite, ©1987 Don Maitz

Untested house rule for the White Sandbox:

If you can cast spells, you can prepare extra spells when you have assistance throughout the process of memorization.

One assistant of your own level can help you memorize an extra spell of the highest level you can cast. It is common for adventuring parties to help each other in this way.

You need an additional assistant for each level of spell below that. These old magics aren’t as interesting to you, you need more people involved to get excited about these lesser levels of mastery. In the picture to right we see a third-level magic-user who has recruited a dancing twin and an old carpet-scriber to inspire her to focus on charm person when she’d really rather fool around with knock. When she reaches fifth level, she will require one assistant to memorize an extra fireball, two to memorize an extra knock, and three to memorize an extra charm person.

Assistants must be compensated beforehand. At least one of your assistants must be a spellcaster of a level equal to the level of the spell you are trying to memorize. Zero level assistants will help for nothing beyond the services listed below; higher level assistants may be hirelings paid as per the Adventurer Conqueror King System rules, but will also require these services.

Lawful types traditionally cast a spell that serves the assistant’s goals. This must be done within a day and a night before the memorization takes place.

Neutral types traditionally give the assistant a page from a book which they have written or annotated. If the assistant is not happy with the page offered, they have the right to take a page at random from any of the spellcaster’s books; it is thus standard to negotiate carefully beforehand.

Chaotic types traditionally provide the assistant with a helpless living creature of hit dice equal to the assistant’s, and allow the assistant to do with this creature as they wish.

Other forms of recompense are possible, but these are known to satisfy the requirements of the ways of spellcasting.

The goal of these house rules is to further encourage characters to travel with an entourage, like how Gene Wolfe’s wizard-knight Abel accumulates squires and servants, and provide a way for the entourage to be doing interesting things in the preparing-to-go-into-a-dungeon phase of play. Note that if, as in ACKS, memorizing a spell means having it available to cast spontaneously, allowing these extra spells increases the caster’s flexibility but not their overall power level.

Next up: assistance for fighting men to increase their hit dice on similar principles.


Mike Mearls’ Magnificient Encomium

Recently noisms of the superlative Monsters & Manuals called The Mule Abides “the most consistently high-quality blog out there, in terms of theory and gaming history, probably.” I should thus be ashamed to use it as the ashbin for stuff I write that didn’t make it elsewhere, but one of the benefits of being a blog-collective is that no doubt one of the other contributors will come up with something brilliant to keep up our quality average.

A while back Ed Healy contacted me for some quotes for the RPG Countdown Best of 2011 show. I wound up quipping about a number of things I didn’t work on, but one that I did – Mordenkainen’s Magnificent Emporium – caught the attention of the guys at EN World, who wanted me to expand on the quote for their D&D Next page.

I think – but am not sure – that it didn’t ever appear there. As was the case in 2008, being a playtester means that visiting sites where fans are talking about a new edition is as madness-inducing as wearing just one of the eye-cusps that lets you perceive the Vancian over-world. If y’all have already read this at EN World, I apologize for the repost and the out-of-context community in-jokes like the link at the end. Just in case this is its last chance to avoid obscurity, though, here’s me looking back on Mordenkainen’s:

As a lifelong Gygax fan, I was honored to be chosen as one of the designers of Mordenkainen’s Magnificent Emporium; how cool is it to be hired in real life to make magic items for Gary’s PC? And as a Dungeons & Dragons fan, I was thrilled to learn that Mike Mearls would be the lead on the project. At every step in my professional involvement as a gamer, Mike has been participating in the same communities I’m fascinated by and showing me the next step forward.

When I was at the Forge in ’04 learning how to start Behemoth3 to publish Masters and Minions, Mike was there sharing the design chops and OGL mastery that he’d soon demonstrate in Iron Heroes, and also proving that it was OK to be open to indie insights and still love D&D with all your heart.

When I was at the OD&D boards in ’08 discovering all the things the old-school renaissance could reveal about the game I thought I already knew, Mike was there posting session reports from his Kardallin’s Palace campaign and dropping science like the analogy that OD&D is a jam session while 4e is a symphony.

I haven’t kept up with the combat as sport vs. combat as war thread here at EN World but it wouldn’t surprise me one bit to see Mike posting there too; he is a true member of this community and as appreciative of others’ deep insights bridging the edition gap as he is ready to bust them out himself.

The vision that Mike showed in his leadership of the Mordenkainen’s team is everything that I want from D&D Next. His eagerness to celebrate the game’s rich history meant that no artifact was too obscure or silly for us to find its hidden treasure. I’d done five other 4e projects at that point and never expected I’d get a crack at the iron bands of Bilarro or the bone of bruising. I didn’t have to tell him why it was important to have mundane items like mules in the game, Mike already knew. He pushed me to define caltrops or glass marbles with the same clarity and concision as the best 4e design, and let me write about how players and GMs can work together to adjucate the flexibility and concreteness that lets OD&D characters retrain their mule into a warbearer donkeyhorse or a pitfinder donkeyhorse in the blink of an eye.

The other thing Mike taught me with Mordenkainen’s was how to be honest and direct and still discreet. The book went through a lot of changes – I lucked into being interviewed by the Gamerati because Amazon still has the version of the cover that had my name on it, and for a while it wasn’t going to come out at all. Mike gave me some time at Gen Con, and after I rattled off all my conspiracy theories about what was going on behind the scenes, he kind of sighed a little. “Sometimes we come up with these clever stories that sound good until people start asking questions, and then it all gets complicated,” he said. “I don’t understand why we don’t just tell the truth.”

D&D Next’s promise is as huge as the job it’ll have overcoming the misgivings fans have in trusting a new set of promises. Because I want D&D to grow and thrive, I am overjoyed to see Mike in charge of that job.

When we were doing the Kickstarter for Adventurer Conqueror King, seeing that Mike had become one of our backers was a shining moment that all the great reviews since can’t equal. Autarch is taking up the space that freelancing used to for me – getting to do Dwimmermount with James Maliszewski is also making me feel like the big kids have agreed to let me roll up a character in their game – but I’d gladly put it aside for a second and pitch in to Wizards’ great project to end the edition wars. Send me that contract for the Quintessential Mule, D&D Next is the perfect system for it!


Mixing Virtual and In-the-Room Players in a RPG Session

Tomorrow, Saturday April 7th from 3pm to 6pm Pacific Daylight Time, I will be running a Dwimmermount session using Adventurer Conqueror King on G+. In addition to the usual 4 other players that G+ bandwidth supports, my son Javi and from 1-4 of his cousins aged 10-14 will be joining the party.

When I played 4e with George Strayton’s group, one of the players was often George’s brother in LA, participating via videoconference. In this case, there were so many more people physically present that having one there virtually didn’t make much of an impact. I am interested to see what it will be like with a more even mix of PCs in the room and not. Does anyone else have experience with a similar setup?

As someone who likes to play with big tables, one of G+’s limitations that I chafe at the most is the bandwidth restriction that causes video to break down after about five different channels are active. However, a promising way around this is to have each channel represent multiple players. Following up on my recent exploration of using callers, presumably each group of people gathered around a computer would have one of them announcing their sub-party’s action to the Judge, who coordinates the inputs of everyone on G+ (as well as the players in the room with the Judge) and then describes the results to all.

This is something I’ll be looking to experiment with more in weeks to come. For now, if you’re interested and available Sat April 7th from 3-6 PM Reno, Nevada time  (which is to say, Sunday April 8 from 7-10 AM Seoul time) let me know in the comments or drop me a line at – if you can get some other players together to play in the room with you while we G+ with the players in the room with me, so much the better!

ADDENDUM: We’ll roll PCs at the start of the session, or you’re welcome to use a first- or second-level character from whatever fantasy RPG you like; I’ll work up more detailed FLAILSNAILS conventions if there’s demand. We’ll do mapping on paper held up to the camera and to the people in the room; dice will be done physically by whoever is making the roll, we’ll trust you.


D&D’s Original Iconic Characters

Doesn’t this look like an adventuring party you’d like to be part of?

Illustrations by David C. Sutherland for the AD&D Dungeon Master's Guide

Stat one of these characters up using the Adventurer Conqueror King System and you can play ’em in a session I’ll run via G+ hangout! Plus, if the Kickstarter for Paul Hughes’ Random Dungeon Generator as a Dungeon Map poster succeeds in raising more funding than Autarch’s Player’s Companion did, the backers of that worthy project will get to admire your character-making handiwork as part of a bonus goal I offered Paul in the foolhardy belief that it’d never happen. (It is now less than $300 short).

Here’s the backstory. The designers of 3rd Edition D&D went to remarkable lengths to reference 1st Edition AD&D. This is something I’ve been saying for a long time, but the more I learn about 1E the more examples I discover.

One of the defining aspects of 3E’s art direction was the use of iconic characters whose illustrations were featured in the section introducing their class and were then re-used in other books, the D&D miniatures line, etc. For example, here we see the rogue Lidda, the wizard Mialee, and the fighters Regdar and Tordek planning a dungeon-heist:

At Gary Con, we were talking about things we liked and didn’t like about 3E. Iconic characters made it onto both lists.

  • Plus: The way that the same heroes would turn up in different contexts created the sense of the books being a window into another world, the way that elements of the Cthulu Mythos like the Necronomicon showing up in different stories made it seem real (and a precursor of roleplaying games and transmedia).
  • Minus: We weren’t convinced that the 3E iconic characters emerged from actual play; their inception had the whiff of a clever memo from WotC’s marketing department.

Until reading this post at Blog of Holding, from which the top picture was taken, I didn’t realize that the idea of a party of characters recurring from one illustration to the next had its roots in David C. Sutherland’s drawings for the AD&D Dungeon Master’s Guide. I don’t know whether they represented a real party of player characters, but certainly the DMG illustrations show them doing the kinds of things adventurers do in actual games of D&D. (The planning illustration above is an exception to the normal kind of thing the 3E iconic characters were depicted doing: standing around on their own, looking iconic.)

Given that I care about things like illustrations reflecting actual play, let’s make sure that the ACKS writeup of the AD&D iconics reflects characters that a player created (albeit to match a pre-existing visual image) and played in a game! Reply in the comments to claim which of these five adventurers you’d like to stat up and play, I’ll email you to work out the details and schedule the G+ hangout.


Zombies Don’t Have Gender


The other day I was reminded that I never posted how things went when Javi was DMing at Anonycon.

The quick summary is that he had a great time and was eager to do it again this weekend. He has not yet learned practical aspects of the craft: if you let the players buy dragons at the ride shop in town, or pour the M&Ms GaryCon’s DM concierge service brought him onto the table and say “everybody take four”, it will take a long time to get everyone to focus on the dungeon again. However I am filled with pride that he knows that dragon-riding and candy-coated chocolate are good ways to awesome up your players.

Quote from the player of the druid Layla, sitting to the left of the GM screen: “Skeletons don’t have gender.”

Quote from Javi, boasting to a spectator: ‘I’m draining levels!”

Javi played in two other all-kids games earlier at GaryCon. Friday’s was very expertly run by the player of Sir George, identifiable in the picture above by his black gm lanyard. Saturday’s Haunted Keep was run by Paul Stormberg, who taught me that bringing a treasure chest full of coins, jewels, potions, wands, and cloaks is a great way to awesome up kids especially; he kept them enthralled for seven hours (!).


Last Chance to Back the Adventurer Conqueror King Player’s Companion

Cover for the Adventurer Conqueror King System Player's Companion. Art by Michael C. Hayes, design by Carrie Keymel.

The Kickstarter for the Player’s Companion ends today, Friday March 16th at 10 pm EDT. After Autarch’s crowdfunding campaign for the Adventurer Conqueror King System wrapped up, we often got comments from people saying they wished they had known about it while the Kickstarter was still going. I hope that this announcement can help save people from a repeat of this terrible fate!

It’s worth noting that, if you haven’t picked up ACKS yet, by backing the Player’s Companion backer you can choose rewards that’ll get you both the core system and its first expansion. Two Sought Adventure gets you both books in PDF, each of which has a coupon that’ll give you a discount on a future upgrade to its hardcover equal to the price you paid for the electronic copy. Pair of Kings gets you ACKS in hardback + PDF and the Player’s Companion limited edition softcover pre-release, shipping together as soon as they’re available (weeks before they’re in stores), after which you’ll get the final Player’s Companion in hardback + PDF once it completes its final development based on feedback and playtest reports from backers. You can also add to your Player’s Companion pledge to get various other combinations of ACKS and its new expansion, including using the coupon in the ACKS PDF you may already have for a hardback upgrade. Email if you have questions about how to do this!

Yes, you may say, but what is this Player’s Companion of which you speak? Good question! It’s an expansion for the widely acclaimed Adventurer Conqueror King System, designed to give players new tools for creating the kinds of characters they want to see in their campaigns. Because ACKS builds directly on the legacy of the original fantasy roleplaying game, the material in the Player’s Companion will also be useful to groups playing other variants of that lineage. No conversion should be necessary to use the Player’s Companion with Moldvay/Cook’s original B/X and its inheritors Labyrinth Lord and Basic Fantasy, and adapting the material to other TSR-era editions and their retro-clones will likely present no problems to those hip to the essential similarities between all OSR systems.

Here is what is in the pre-release version of the Player’s Companion that we will have at Gary Con IV. Thanks to the backers who helped us reach the first three bonus goals and thus enabled this list of contents to be much more expansive than originally planned!

  • 16 new character classes to expand your campaigns, including the anti-paladin, barbarian, dwarven fury, dwarven machinist, dwarven delver, elven courtier, elven enchanter, elven ranger, gnomish trickster, mystic, paladin, shaman, Thrassian gladiator, warlock, witch, and Zaharan ruinguard.
  • 238 character generation templates with pre-selected proficiencies, spells, and equipment options to create archetypes such as the Aristocrat Bard, Buccaneer Thief, Gladiator Fighter, or Runecaster Shaman.
  • A host of new spells, including never-before-seen dweomers such as dismemberearth’s teethand trance, as well as ritual spells including cataclysmplaguetemporal stasis, and undead legion
  • A point-based customized class system that lets you create the perfect blend of fighting, thievery, divine, and magical power. The custom class creation rules are 100% backwards compatible with every class in the ACKS core rules and all of the classes in the Player’s Companion.
  • Additional equipment and proficiencies to provide options for character classes new and old, plus prices for building traps to defend your stronghold
The final edition will have still more content, including guidelines for creating new spells through magical research and a system for side effects from experimentation we’re developing using Gygaxian democracy.
Perhaps the most exciting thing about the Player’s Companion is the explosion of player-created content it’s heralded, either because it gives many tools for custom creation to the user, or simply because it coincides with the ACKS PDF having been out there long enough for people to start sinking their teeth into it. Every game designer wants to know that their stuff is being played with, so it’s really gratifying to watch this happening. Check out the Autarch forums for a sense of the creative ferment that’s out there!

Roll for the Caller: Using Initiative for Faster Group Decisions

Delta’s D&D Blogspot has posted a session summary of Saturday’s expedition into Dwimmermount. He notes:

Tavis may have more courage than I do, because he had something of an open call out to players, and once we had dinner, piled into the Brooklyn Strategist, and set up to play around the custom gaming table there, he had no less than nine players ready for the session… About the first thing that Tavis said to me was, “You can have 4 henchmen, does that appeal to you?” Does it!? (I’m semi-infamous for gleefully playing multiple characters. Here I would get to play a whole crew of 5 dwarven plate-armored fighters. This was a very good sign.) With similar rulings around the table, we had a total of eighteen characters assembled and marching up to Dwimmermount.

I'm glad Stefan insisted that we actually put all the miniatures into the layout; the work he put into wrangling them was well worth the visceral sense we got of just how insanely stretched-out our marching order was.

This weekend there is indeed an open call for players at the Dwimmermount sessions I will be running on the evenings of both Saturday 3/17 and Sunday 3/18. After that, the expeditions will continue every Saturday until 4/14, but I will be passing my spot at the big Sultan gaming table on to other GMs.

I am famous for running groups of up to 15 players, but normally those are shambolic affairs in which we are glad to spend six or eight hours chatting and chewing the scenery and not getting much done. The Dwarven Forge scenery we have at the Brooklyn Strategist is so appealing that it begs out to be played with right now, so I evolved a way to get this big group moving faster than I normally do. I hope this house rule will be useful to those who come after me.

Because we were using the Adventurer Conqueror King System, when combat occured I would ask everyone to roll for initiative at the start of each round by holding up a d6. This part is standard, and with the possible exception of the kobold massacre, each of the fights on Saturday was sufficiently complicated and high-stakes to make it worth paying close attention to who got to go before the monster(s) and who didn’t.

When we weren’t in combat and the next course of action wasn’t obvious – basically whenever the flow of action seemed to pause a little as people wondered what to do – I would hold up a d20 and ask everyone to “roll for the caller”. (Actually I said “roll for initiative” here too but that led to confusion. Do as I say, not as I did.) Only the high roll counted, so once I heard a pretty high number I’d say “OK, can anyone beat an 18?” I didn’t have the players modify the dice roll by anything, so that all participants had an equal chance of winning. I don’t think it makes sense to have charisma modify the roll – this is a procedure for the players, not their characters – but it might be interesting to keep track of how many times this call for callers had been issued, and tell everyone who had not yet been a caller to add that number to their roll.

Once a high roller had been established, I would find a way to describe the scene to explain why that player’s character now found him or herself in a position to set the next course of action for the party. The first time I called for a roll was in town as soon as everyone had a character sheet ready. Stefan and Peter tied with an 18, so I said “OK, Father Roy and Dewdrop Morningwood, you were the survivors of the previous expedition. As you’ve been here in the Fortress of Muntsberg healing and re-equipping, you become aware that news of your exploits has brought a new crop of adventurers who are looking to repeat your success. Do you want to lead them to the dungeon right away, or spend more time in town seeking out special equipment or pursuing the truth behind some of these rumors?”

It was intentionally implicit in this setup that all the new and old characters would form a party together, but I think Pete picked up that it was not actually covered by anything we’d roleplayed, so he had Dewdrop’s henchman Lafonte Shimmersky give an elaborate recruiting/motivational speech, and then Stefan and Pete read the mood of the group and decided to head for the dungeon right away. (This was what I thought everyone wanted, and also what I wanted myself – all that Dwarven Forge terrain begged to be marched upon – so the caller procedure worked!)

At the top of the landing, we rolled for caller again and the dice chose Miguel. His character was a prestidigitator named Obed Marsh, so I said “As the group reaches the head of the stairs and the metal Thulian doors, a feeling of eeriness settles over the party and they unconsciously look to Obed for his expertise in arcane matters. How do you direct your fellow adventurers?” Miguel chose to have his characters take the lead and investigate the situation, asking questions that let me feed the group information. But just as you can see in historical accounts of parties using callers like the example of play in the AD&D Dungeon Master’s Guide, the caller was the decision-maker but not necessarily the spotlight player. Other players might speak up to contribute – when Obed learned that the mountain was protected from tunneling by some kind of enchantment, Dan said “My dwarves put away their axes and picks, disappointed that their plan is shot” – and sometimes the caller would designate another character to perform a task, whose player would then take the spotlight (for example, Carl’s thief who led the exploration of the rockfall that exposed the gorgon cave).

I felt like this procedure worked very well for speeding up decision making by giving the power to the dice. As the Judge, I didn’t have to think “how can I get the players to start moving and stop debating; I only had to recognize when it was time to call for a roll, and then hand off the problem to the randomly appointed caller. A key part of the method was to set up the caller’s authority by setting the scene for their character. By describing to everyone how and why Obed had emerged as the leaders for the other characters, I was encouraging everyone to start thinking in character as well, which thus included accepting that their character was going to be regarding the caller as the natural leader for the moment.

I think the caller procedure would work even for smaller parties. If you try it out in your games, let me know how it goes!


Everything is Flowcharts

Stop this recursive madness before it is too late.

Paul Hughes has launched a Kickstarter that must not succeed. If funded, he will turn the AD&D procedures for generating random dungeons into a dungeon, a section of which is shown above. Sure, it sounds innocuous enough in his description:

This intricately illustrated 36″ by 24″ playable dungeon map poster encapsulates the Dungeon Master’s Guide’s complete rules for generating random dungeons: Appendix A’s four pages of charts are rendered into a flowchart WHICH IS ITSELF A DUNGEON. It’s like the Platonic dungeon: from it, all other dungeons may be generated. Or maybe it’s the Dungeon of Ouroboros.

What he conveniently leaves out is that as adventurers go through this dungeon, there is a chance that they will randomly generate the same dungeon that encodes the procedures for generating new dungeons, creating an infinite loop. Being a known proponent of the $10,000 backer reward and idealistic bonus goal, I have been recommending that Paul combine these such that Wizards of the Coast could pick up the top pledge level and get enough posters to send some to every game store that will be carrying the AD&D reprints, or we could help him raise the necessary funding to do so just for the good of gaming. While this would hasten the process, the recursive nature of this project makes one thing clear: sooner or later we will be awash in endless, procedurally-generated nightmare mazes filled with gold, glory, and Paul’s inimitable illustrations.

You know what that means, don’t you? Yes, it means one reason we don’t embed music videos more often is that some of us can’t be trusted not to use them for cheap rim-shots.

Fortunately, there is a solution to this impending crisis. We need to fight dungeons with dungeons.

Holmes Character Creation as a Dungeon Map, by Doug @ Blue Boxer Rebellion

Compare to the 2e and 3e versions for a fantastic visual essay in how the complexity of chargen increases over the years, and become a follower of Blue Box Rebellion and pester Doug to dungeonize 4e’s Character Builder and map the planar nexus of Sigil from which those wishing to follow D&D Next’s ambition to unite the editions must certainly depart.

But that’s not what we’re here for. Our goal is to convince Doug to launch a Kickstarter to create dungeons to act as automatic spawners for adventurers to go into Paul’s dungeon and generate more dungeons, until every piece of paper in the world is covered with maps in which you can see little people making maps telling them which way to go to create a dungeon in which the Cave You’ve Been Living In Since 1977 connects to the Pool of Fluff.

Speaking of titles, the name of this post riffs off of Everything is Dolphins, which you should be interested in because:

  • the fact that the Play-Generated Maps and Documents Archive (PlaGMaDA) is starting a publishing arm is made of awesome and promises many other things of interest to old-schoolers, like reprints of old fanzines and homemade modules like Habitition of the Stone Giant Lord
  • the game part of Everything is Dolphins represents an interesting example of someone coming into RPGs cold in his twenties from a whole other world of music geeks, discovering OD&D, and running with it to make his own system to reflect a particular set of concerns and inspirations
  • said someone ran Everything is Dolphins at Games that Can’t be Named and a good time was had
  • the approach taken here – presenting the original handwritten notes and play materials, and then doing an exegesis of the text and the visions it’s inspired in others – is a promising model for how to publish lost RPG projects like Robert Kuntz’s Kalibruhn or Dave Arneson’s “Bluemoor” notebooks without losing the historical value under a layer of polish

It is an article of faith with me that the character sheets for the original Blackmoor were this cool. One of many ways that First Fantasy Campaign is awesome is that it publishes maps of the castles that characters in Dave Arneson's game built; let's get a new edition that has the architectural plans the players drew up!

  • the illustrations Tim assembled for the book to show what visions the game inspired include old-schoolers (Charlie Loving who illustrated the Bunnies and Burrows first edition in 1976), artists who were part of the Dungeons & Dragons in Contemporary Art panel last year (Casey Jex Smith and Sean McCarthy), and Tarn Adams of Dwarf Fortress who is like the patron saint of neckbeards who care way too much about imaginary worlds that procedurally generate adventurers who build their own dungeons
  • if the Dwimmermount Kickstarter makes its bonus goal of $20,620, James Maliszewski will donate his original campaign notes to PlaGMaDA; we hope the well-deserved immense popularity of his blog Grognardia will make this a notable a precedent for others to make similar donations and show that making the originals free to the public is not inconsistent with a successful commercial release expanding these notes into a form ready for others to use
  • Tim has an art show opening at the I-20 Gallery in NYC on March 22nd, which should be of interest to those who were interested in the stuff Tim had to say at the above-mentioned D&D art panel, and is planning a book launch party for Everyting is Dolphins in April, which may well also include the Adventurer Conqueror King System; details to follow.
On that tip and with the last of my breath, I should mention that there is also a Kickstarter for the Player’s Companion that expands ACKS with a host of new classes, procedures for making new classes, a bunch of new spells, procedures for making your own spells that characters can research (if Bonus Goal #3 is met, which seems like it will happen soon), and lots of the the ACKS class templates that Brendan at untimately calls “the apotheosis of the Second Edition kit idea“, presumably in a nice way.

Past Adventures of the Mule

July 2020

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